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Home Language Education

An historic, little-acknowledged language introduced to existence by means of choir

Sara D. Brock by Sara D. Brock
October 17, 2025
in Language Education
0

For the sweetest few minutes on Monday, the range of individuals who speak, dream, and sing within the threatened Indigenous language of the Hope Vale humans of Cape York jumped 50, according to the cent.

An historic, little-acknowledged language introduced to existence by means of choir 1

That’s while 9 Aboriginal college students from Hope Vale, one of the tiniest and most far-flung colleges within the usa, led a massed choir of seven hundred NSW number one college students at the Opera House to sing in Guugu Yimithirr.

Spoken for thousands of years, Guugu Yimithirr later became the first Indigenous language recorded by Europeans during Captain James Cook’s crew’s visit in 1770.

Performing as part of the annual Cantabile Music Festival, the Hope Vale school students performed their faculty song, Nganhthaan Waandaar Nganhthaan Ngurraar.

In English, it’s like this: “We are a white cockatoo, we are a black cockatoo, extraordinary but collectively.”

With the highlight on them, the Cape York students stood out in their vibrant pink uniforms. Once everyone joined in, they were indistinguishable from their NSW friends who had been sporting yellow, red, or green uniforms or the children whose uniforms had pleats, bows, and rows of tiny buttons.

The track was written by teacher Lillian Bowen, who is sixty-seven and began coaching Guugu Yimithirr to schoolchildren 25 years ago.

As well as writing workbooks in the language, she has been encouraging the youngsters to write songs about their lives. Nine songs are currently in development, including one about the pigs that locals hunt in the nearby bush.

Born in Hope Vale, Ms. Bowen learned French and German when she went away to high school. At first, “it was like an overseas language to [the students],” she said. By the time she started teaching Guugu Yimithirr, it was most effectively spoken by approximately 1400 people, basically grandparents.

These days, youngsters sing at home and in the playground in Guugu Yimithirr, teaching their mother and father. Mrs. Bowen said a few kids had been begging families for more facts on their mobiles to concentrate on the songs they’ve uploaded on YouTube.

The black-and-white cockatoos inside the music represented the two totems of her people. Some lived on the coast, and others in the West.

When the seven hundred youngsters shuffled off the stage after a practice session before Monday night’s overall performance, one of Hope Vale’s instructors asked, “Can we all just weep now?”

For Hope Vale’s figure and teacher, Laverne Weibo, the tears began weeks ago on the thought that her son Jason, 10, and her nephew Jahariz, 12, could have the “privilege of making a song in language” in front of so many human beings.

Jahariz said he was “proud of the college and our lifestyle, preserving it going strong. When we come down right here and display anyone our language, they may probably be coming up and traveling [Cape York], and trying and examine a whole lot of songs that we realize.”

The Hope Vale School is administered as a partnership between Queensland’s Education Department and the non-income Good to Great Colleges based on Indigenous leader Noel Pearson. Its goals are to incorporate Aboriginal history and subculture and involve the community in every aspect of schooling.

Until now, no song has been taught there, even though dance and song are essential components of the Indigenous way of life. Now, music is being used in all Hope Vale training.

Cantabile’s creative director, David Collins-White, who invited the faculty to mentor song instructors after touring Hope Vale, stated that most school college students sang in English.

But on Monday, the tables became “A little bit of reverse cultural effect.”

“If you need to interact with Aboriginal people and show you care about reconciliation, you need to make an effort to study the language,” he said.

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Sara D. Brock

Sara D. Brock

Web buff. Pop culture specialist. Zombie maven. Avid tv junkie. Bacon aficionado. Beer fanatic. Spent a year researching love on the black market. Once had a dream of lecturing about walnuts for no pay. Earned praise for working with gravy in Prescott, AZ. Spent two years working with bagpipes in Bethesda, MD. Spent college summers researching the elderly in Ocean City, NJ. Set new standards for working on spit-takes in Washington, DC.

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